Sulwyn Lok(SG)

骆思卫(SG)

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革 — 破革

Sulwyn Lok is a composer and music director working between Singapore and New York, whose music The Straits Times has called “magical”. He has written on commission for the arts councils of New York and Singapore, the Singapore Symphony Orchestra and the Singapore Chinese Orchestra, and his scores have played at the Cannes, Busan and New York Asian film festivals, and across Tencent’s documentary Breakfast in China. He is Resident Composer of Reverberance and the Singapore Ruan Ensemble, and Music Producer at The TENG Company.

骆思卫是游走于新加坡与纽约之间的作曲家与音乐总监，《海峡时报》曾形容他的音乐“充满魔力”。他曾受纽约与新加坡的艺术理事会、新加坡交响乐团及新加坡华乐团委约创作，配乐作品曾在戛纳、釜山及纽约亚洲电影节放映，也用于腾讯纪录片《早餐中国》。他现任回响吹打团与新加坡阮咸印象室内乐团驻团作曲家，并担任鼟乐团音乐制作人。

Qian Dong Heng(SG)

钱栋衡(SG)

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革 — 破革

Qian Dong Heng draws on personal experience to write music that moves between musical cultures and genres, shaped by his regular playing with Chinese orchestra and Javanese gamelan. His chamber works “Four Gamelan Pieces for Yangqin Quartet” and “Blooming Flowers · Fooling Moon”, and the Chinese orchestral works “The Sky of the Sea”, “Dreams of Night Sky” and “Sea of Dreams”, have been performed in Singapore, the United Kingdom and South Korea.

钱栋衡的创作源自个人经历，游走于不同音乐文化与风格之间，这与他长期参与华乐团及爪哇甘美兰的演奏密不可分。他的室内乐作品“Four Gamelan Pieces for Yangqin Quartet”与“Blooming Flowers · Fooling Moon”，以及华乐作品“The Sky of the Sea”、“Dreams of Night Sky”和“Sea of Dreams”，曾在新加坡、英国及韩国演出。

Sim Boon Yew(SG)

沈文友(SG)

Gambus Jodoh

Gambus Jodoh

Sim Boon Yew played zhonghu with the Singapore Chinese Orchestra from 1997 to 2017 and served as its resident arranger, after two decades with the People’s Association Chinese Orchestra. He has conducted the Keat Hong Chinese Orchestra since 1981 and is now its Music Director, leading it on tours to China, Hong Kong, Thailand, Malaysia and Australia. He has composed and arranged more than two hundred works, many of them drawing on local and Nanyang tunes, and was conferred the Public Service Medal by the President of Singapore in 2001.

沈文友曾任新加坡华乐团中胡演奏家（1997-2017），并兼任驻团编曲，此前也在新加坡人民协会华乐团担任演奏家（1978-1997）。他自 1981 年起担任吉丰华乐团指挥，现为该团音乐总监，多次率团赴中国、香港、泰国、马来西亚及澳洲演出。他创作与编写的华乐作品超过二百首，尤以富有南洋风格的曲目见长，并于 2001 年荣获新加坡共和国总统颁授公共服务奖章。

Ho Man Hin(HK)

何旻轩(HK)

Neon City Nocturne

霓城夜响

Ho Man Hin is a Hong Kong composer and a graduate of the Hong Kong Academy for Performing Arts, where he majored in composition and electronic music. His “Rainy City” is included in the anthology “Chinese Music Classics: Ruan Volume”, and both “Ode” and “Petals in the Drizzle” were recognised in the Hong Kong Chinese Orchestra’s New Sound Transmission competition. He has worked with the Hong Kong Chinese Orchestra, the City Contemporary Dance Company and the Psappha Ensemble, and writes for film and television as well as arranging pop music.

何旻轩是香港作曲家，毕业于香港演艺学院，主修作曲及电子音乐。他的《雨城》收录于《华乐大典·阮卷》，《颂》与《微雨下的花瓣》则获选香港中乐团“新韵传音”佳作作品。他曾与香港中乐团、城市当代舞蹈团及 Psappha Ensemble 等艺团合作，也参与电影、电视配乐与流行曲编曲。

Simon Kong(MY)

江赐良(MY)

Unbridled

放肆

Simon Kong Su Leong was born in Sabah and was the first foreign student to graduate with honours in Chinese music composition from the Shanghai Conservatory of Music, studying under Professor Zhu Xiaogu. He took second prize at the inaugural Singapore International Competition for Chinese Orchestral Composition in 2006 with “Izpirazione II”, and his work has been recorded by Sweden’s BIS Records and published by the Taipei Chinese Orchestra and the Hong Kong Chinese Orchestra. He writes and lectures on the place of the Chinese five elements in orchestration, and is founding Music Director of the Nanyang Sizhu Chamber Ensemble and resident composer of the R&F Princess Cove Opera House Chinese Orchestra in Johor Bahru.

江赐良生于马来西亚沙巴州，是首位以优异成绩毕业于上海音乐学院民乐作曲专业的外国留学生，师从作曲家朱晓谷教授。2006 年，他以《Izpi­razione II》获首届新加坡华乐团国际华乐作曲大赛第二名，作品也曾由瑞典 BIS 唱片公司录制发行，并获台北市立国乐团、香港中乐团出版，收录于中国民乐教材。他长期研究中华五行哲学与华乐配器的结合，现任南洋丝竹室内乐团创团音乐总监，以及马来西亚新山富力公主湾歌剧院华乐团驻团作曲。

Benjamin Lim Yi(SG)

林亿(SG)

Fire

火

Benjamin Lim Yi is a Singaporean composer based in Beijing, writing for the concert hall, theatre, contemporary dance and stage, and for film, television and children’s music. His work has been performed in Singapore, Taiwan, Hong Kong, Tokyo, Seoul, London and across China, and his film scores have won awards at international festivals. He took a Master of Music at the Central Conservatory of Music in Beijing under Professor Tang Jianping, on Singapore National Arts Council and Chinese government scholarships, and now runs his own post-production music studio, BLY Studios, in Beijing.

林亿是旅居北京的新加坡作曲家，创作涵盖音乐会委约作品、戏剧、现代舞与舞台制作，以及电影、电视与儿童音乐。他的作品曾在新加坡、台湾、香港、东京、首尔、伦敦及上海、北京等中国多个城市演出，电影配乐也曾在国际影展上获奖。他毕业于北京中央音乐学院，师从唐建平教授，获音乐硕士学位，并曾获新加坡国家艺术理事会研究生奖学金与中国政府奖学金，现于北京经营个人后期音乐制作工作室 BLY Studios。

Eric Watson(SG)

埃里克·沃森(SG)

The Restless City

不寐之城

Eric Watson studied piano, violin, composition and conducting at Trinity College of Music in London, and has worked in Singapore since 1990 as a composer, conductor and teacher, writing for musicals, opera, electro-acoustic ensembles, gamelan and Chinese orchestra. He took first prize at the inaugural Singapore International Competition for Chinese Orchestral Composition in 2006 with “Tapestries – Time Dances”, has twice been composer for the National Day Parade, and was later appointed the Singapore Chinese Orchestra’s composer-in-residence. In 2019 he was conferred the Cultural Medallion, Singapore’s highest honour in the arts.

埃里克·沃森生于英国，在伦敦圣三一音乐学院主修钢琴、小提琴、作曲与指挥，1990 年起定居新加坡，以作曲家、指挥家与教育家的身份活跃于本地乐坛，创作涵盖歌剧、音乐剧、电声音乐、甘美兰与华乐团。2006 年，他以《Tapes­tries – Time Dances》赢得首届新加坡华乐团国际华乐作曲大赛首奖，并两度为新加坡国庆庆典作曲，后获聘为新加坡华乐团驻团作曲家。2019 年，他荣获新加坡文化奖，这是新加坡艺术界的最高荣誉。

Kuo Hung-hsi(TW)

郭虹希(TW)

Cadence of the Orchid

兰之韵

Kuo Hung-hsi writes for the instrument she plays. Her dizi concerto “Impression of Shanghai” took the gold award at the third Dunhuang Cup composition competition, and her other works include “The Descent of the Nine-Tailed Fox”, drawing on local custom, history and the myths of the Classic of Mountains and Seas. She calls her approach the “symphonisation of Chinese music”, keeping what is particular to the tradition while taking in Western compositional technique, and she recorded “Cadence of the Orchid” with the Chiayi Chinese Orchestra this year before playing the solo part herself tonight.

郭虹希为自己演奏的乐器写作。竹笛协奏曲《申城印象》获第三届敦煌杯作曲大赛金奖，其他原创作品包括《九尾降世－缘起》，灵感多取材于各地风土民情、历史故事与《山海经》等东方神话。她的创作理念为“民乐交响化”，既保有民乐的传统特色，也结合西方的作曲技法；今年她与嘉义民族管弦乐团录制发行《兰之韵》线上专辑，今晚的《兰之韵》则由她亲自担任独奏。

Li Bochan(CN)

李博禅(CN)

Kungfu

功夫

Li Bochan was born in Beijing in 1992, trained at the Central Conservatory of Music under Guo Wenjing, Ye Xiaogang and Liu Changyuan, and is now Deputy Head of the Composition and Conducting Department at the Shanghai Conservatory of Music. His music has been played in dozens of countries, at the Sydney Opera House, the Edinburgh International Festival and the Beijing Music Festival among others. He won the Seattle Symphony’s Celebrate Asia composition competition in 2018 and the China Golden Bell Award, and his music epic “The Forbidden City” was premiered by the Shanghai Chinese Orchestra in 2020 to close the palace’s 600th anniversary year.

李博禅 1992 年生于北京，毕业于中央音乐学院作曲系，师从郭文景、叶小纲、刘长远教授，现任上海音乐学院作曲指挥系副主任。他的作品曾在数十个国家与地区上演，包括悉尼歌剧院、爱丁堡国际音乐节及北京国际音乐节。2018 年，他获美国西雅图交响乐团国际作曲比赛大奖，也曾获中国音乐金钟奖；2020 年，他创作的大型民族音乐史诗《紫禁城》作为故宫建成六百年系列活动的压轴之作，由上海民族乐团在上海大剧院首演。

Goh Wei Hong(SG)

吴伟鸿(SG)

Suona

唢呐

Goh Wei Hong began on the dizi at nine and moved to the suona at thirteen, going on to major in suona performance at the Nanyang Academy of Fine Arts under Professor Ding Huaicheng. He took first place in the folk instrument category at the Llangollen International Musical Eisteddfod in Wales in 2008, and won the open category for suona at the National Chinese Music Competition in 2016. He is Executive Director of Reverberance, and Music Director and conductor at Chong Fu School, Greendale and Yusof Ishak Secondary Schools and the Singapore University of Technology and Design.

吴伟鸿九岁习笛，十三岁改学唢呐，师从李勤森老师，2007 年入南洋艺术学院主修唢呐演奏，师从丁怀成教授。2008 年，他在威尔士兰戈伦国际音乐节民谣乐器独奏／合奏组中夺冠；2016 年，他获全国华乐比赛唢呐公开组冠军。他现任回响吹打团执行董事，并担任崇福学校、绿苑中学、尤索夫依萨中学及新加坡科技设计大学的音乐总监与指挥。

Kuo Hung-hsi(TW)

郭虹希(TW)

Dizi

笛子

Kuo Hung-hsi, from Tainan, is the first dizi doctorate of the Shanghai Conservatory of Music and the first Taiwanese to hold a doctorate in dizi performance, awarded in 2026 for her study of the history and present practice of the dizi in Taiwan, under Professor Zhan Yongming. She teaches dizi at Sanming University in Fujian and is Artistic Director of the Chiayi Chinese Orchestra, having played bangdi with the Suzhou Chinese Orchestra earlier in her career. She gave the first performance of Li Bochan’s “Ode to Chu” in its version for dizi and Chinese orchestra, and has played with Reverberance before, in the dizi and chuida version of her own “The Descent of the Nine-Tailed Fox”.

郭虹希生于台南，为上海音乐学院首届竹笛博士，也是首位台湾竹笛演奏博士，师从竹笛演奏家、教育家詹永明教授，2026 年以《台湾竹笛艺术的历史脉络与当代实践研究》取得博士学位。她现任福建三明学院竹笛专任教师、嘉义民族管弦乐团艺术指导，早年曾任苏州民族管弦乐团梆笛演奏员。她是李博禅《楚颂》竹笛与民族管弦乐团版本的首吹者，也曾与新加坡回响吹打团合作，演出自己作品《九尾降世－缘起》的笛与吹打乐版本。